Vensters (Windows) – Research   These images form the starting point of my ongoing development project  Vensters . During a long-term photographic exploration of Dutch greenhouses, I became fascinated by weathered greenhouse windows, where lime, pa

Vensters (Windows) – Research

These images form the starting point of my ongoing development project Vensters. During a long-term photographic exploration of Dutch greenhouses, I became fascinated by weathered greenhouse windows, where lime, paint, foil, light, organic materials and the effects of time continuously interact to create ever-changing surfaces.

What first attracted me was not only their visual beauty, but the realization that these windows already function as images themselves. Within my current research, I investigate how they can become glass negatives, directly exposing light-sensitive materials through the windows themselves using historical photographic processes.

DutchGreenhouses - Amigra-7219.jpg
B&B - AgroFleurSelect_A_8421988-2.jpg
DutchgreenHouses  - Amigra-7237CR.jpg
Screen Shot 2019-04-30 at 11.31.58.png
Screen Shot 2019-04-30 at 11.32.02.png
Dutchgreenhouses - vDijk_8419430CR.jpg
2017.06.28 Bloem&Blad_MorningGlory_0073.jpg
B&B - Lathyrus_0130.jpg
  Vensters (Windows) – Research   These images form the starting point of my ongoing development project  Vensters . During a long-term photographic exploration of Dutch greenhouses, I became fascinated by weathered greenhouse windows, where lime, pa
DutchGreenhouses - Amigra-7219.jpg
B&B - AgroFleurSelect_A_8421988-2.jpg
DutchgreenHouses  - Amigra-7237CR.jpg
Screen Shot 2019-04-30 at 11.31.58.png
Screen Shot 2019-04-30 at 11.32.02.png
Dutchgreenhouses - vDijk_8419430CR.jpg
2017.06.28 Bloem&Blad_MorningGlory_0073.jpg
B&B - Lathyrus_0130.jpg

Vensters (Windows) – Research

These images form the starting point of my ongoing development project Vensters. During a long-term photographic exploration of Dutch greenhouses, I became fascinated by weathered greenhouse windows, where lime, paint, foil, light, organic materials and the effects of time continuously interact to create ever-changing surfaces.

What first attracted me was not only their visual beauty, but the realization that these windows already function as images themselves. Within my current research, I investigate how they can become glass negatives, directly exposing light-sensitive materials through the windows themselves using historical photographic processes.

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